The dialogic imagination: four Essays/ M. M. Bakhtin
Material type:
TextPublication details: United States of America; University of Texas Press, 1981.Description: xxxiii, 443 p.: 24 cmISBN: - 9780292715349
- DUCE PN331.B2513
| Item type | Current library | Collection | Call number | Copy number | Status | Barcode | |
|---|---|---|---|---|---|---|---|
| Books | DUCE LIBRARY Humanities: Shelf PE1133. R55 – PN9619.3. P3619.S48 | DUCE PN331.B2513 (Browse shelf(Opens below)) | 2 | Available | 000000170135 | ||
| Books | DUCE LIBRARY Humanities: Shelf PE1133. R55 – PN9619.3. P3619.S48 | Special Reserve | DUCE PN331.B2513 (Browse shelf(Opens below)) | 1 | Not For Loan | 000000176826 |
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| DUCE PN146.M36 Writing for academic journals/ | DUCE PN146.M36 Writing for academic journals/ | DUCE PN203.868 Stylistics. | DUCE PN331.B2513 The dialogic imagination: four Essays/ | DUCE PN523.H34 The routledge Concise History of World Literature/ | DUCE PN523.H34 The routledge Concise History of World Literature/ | DUCE PN1040.A513 Aristotle: on poetry and style/ |
Includes glossary and index
These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology.
Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.
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